Seneca Lake Plein Air

Cool Evening, 8x10" pastel on board

It's embarrassing to be posting this a month and a half after the event but the truth is that I have been very busy.

Anyway, the Seneca Plein Air ran from Sept 31 to Oct 4th.  Although I had checked the weather forecast before leaving home, I was unprepared for the windy conditions! The first day of painting I found a nice location by the side of the road and started painting. An hour and a half later I realized how cold I was when I noticed how clumsy my fingers were when I was trying to cover my painting with glassine.  I couldn't feel them! I packed and got in my car and turned on the heat.  I went looking for another location and that 's when I found a fellow painter, George van Hook, who let me have one of the several winter jackets he carries with him just in case. He saved my life and as an added bonus, wearing his jacket gave me the courage to paint the scene below in oils:

Seneca Sparkle, 8x10" oil on panel

For my third painting I went to Roy's Marina with the intention to paint boats but the light on some boathouses caught my attention. I was allowed to use the restrooms at the marina so it was easy to decide to stay there.

At Roy's Marina, 12x9" pastel on board

Later that day  I went to a feed store just a few miles north from downtown Geneva. I wanted to paint a night scene and debated whether to paint it in oils or pastels. Because I couldn't find in my van the special light I had bought for this purpose I figured it would be easier to handle oils than pastels if I were to use a limited palette.  So that's what I did. I worked from 7-9 and could have stayed longer but I started feeling uncomfortable working all by myself in a neighborhood I did not know, all dark  with only a few stray cats and an occasional cyclist.  I finished it next day but worked from 5-7 instead and the chance to talk with the owner. Happily, it sold during the sale!

All Is Quiet, 16x12" oil on panel --SOLD

The second day wasn't as bright and I really had hard time finding an interesting location. I went back to the marina to add a few touches to the pastel of the day before and went scouting afterwards. In the afternoon I painted Cool Evening, the  scene on top of this post.


Saturday's Quick Draw:

The pumpkin, 12x9" Pastel on board

For the jurying and silent auction the participants were allowed to submit only two paintings, but next day we could bring whatever we had produced during the event. Here is my area minus the one that sold:

My thanks to the organizers and the people who volunteered to make this a wonderful event!

Adirondacks Plein Air

Morning in the St Regis, pastel on board, 14x11 --Sold

    From August 17th to the 22nd  I participated in the Adirondack Plein  Air Festival in Saranac Lake.  This being my second time in this event made it easier to decide what and where to paint. My friend Kim who takes oil classes with me, and who has a camper nearby joined me the first two days and showed me beautiful spots. Some of them will have to wait till next year if I get the chance.

  In plein air competitions I'm always competing with myself: always trying to produce better paintings, more interesting compositions, and most important of all, challenging myself when confronted with what could be a difficult scene to paint. I work hard and try to push myself to the limit. This time I did a total of 11 paintings, yet two of them are not good for viewers eyes...

My first painting was the one above. I was up very early because I wanted to paint the lifting fog, and this spot near Back Pond was perfect. Happily for me, it found a home in Tupper Lake! After lunch, I found a location on the other side of the road and had to try my hand at oils. the results was just an OK painting, but I enjoyed the place so much and even found some pitcher plants in the bog.   After dinner I went looking for structures or fields to paint. Found a location on Rt 86 that the year before had called my attention because of the goldenrod. This time the storm in the distance made the scene even more interesting and fortunately, only a few raindrops fell where I was.

 A Storm is Brewing, pastel on board 9x12"

Next day I was early at Lake Clear Outlet. The sky had beautiful colors, but I was not able to capture everything because the light changed too fast for me. I had to come the next day to finish it and as it always happens, the conditions were different and what I originally wanted was gone. Still I was able to do something with it.

Lake Clear Outlet, pastel on board 12x16"

In the afternoon I came back to this place I had looked in the morning. I put aside my fears about the possible difficulties (perspective) with the scene below and got to work.  Towards the end, I had to wait till some people showed near the restaurant so I could determine their height with respect to the building.  I had trouble painting them: they were looking like stick people. I couldn't let this last step destroy what it had taken so much care to create. After taking the time to think how other artists paint people (one stroke, a triangle, few key color, etc) I decided to start by placing a colorful shirt first, believe it or not, it worked, and the rest was easier. When I was cleaning up someone offered to buy it but because I thought it had potential for an award,  I declined. It ended up with receiving an honorable mention.

A Day at the Junction, pastel on board 11x14--Honorable Mention

In the evening, I went to this church near Paul Smith College, one of the many abandoned churches in the area.

St Gabriel's Church, pastel on board, 12x9"

Next day was "Paint the Town" day. This house called my attention last year so it was my first choice.

House on Church St, pastel on board, 12x12"

After lunch I went to Lake Flower looking for a scene to paint for the silent auction.  Realizing I did not have a stamped small pastel board I decided to try oils. It was very windy and to prevent my set up from being knocked over I worked from my car's hatch.

A Windy Day, oil on board, 5x7- SOLD

   

In the afternoon I went near Mt Pisgah. This site has a great view of the mountains and I wanted to paint it again this year. However, I think my tiredness shows in the small area I chose to paint. 

Field near Mt Pisgah, pastel on board, 8x8

    That evening I started framing and did not finish until 2:00 AM!
   
   Next day I was so tired that I had to skip the "Paint the Saranac River" in the morning. I gave myself the morning off and explored other locations. Nothing begged to be painted so I went back home and got ready to deliver the paintings for jurying.

  On Saturday was the Quick Draw event from noon till 2:00 PM.  I did not want to go far from City Hall where the exhibit was taking place, so I looked for a shady spot by the parking lot and worked from there.  Having had the time to look at it for some time now, I can see lots of things that need fixing. I think it was too complicated a scene to paint in just 2 hours but that's how you learn!

Behind the Storefronts, pastel on board, 12x12"