Seneca Lake Plein Air

Cool Evening, 8x10" pastel on board

It's embarrassing to be posting this a month and a half after the event but the truth is that I have been very busy.

Anyway, the Seneca Plein Air ran from Sept 31 to Oct 4th.  Although I had checked the weather forecast before leaving home, I was unprepared for the windy conditions! The first day of painting I found a nice location by the side of the road and started painting. An hour and a half later I realized how cold I was when I noticed how clumsy my fingers were when I was trying to cover my painting with glassine.  I couldn't feel them! I packed and got in my car and turned on the heat.  I went looking for another location and that 's when I found a fellow painter, George van Hook, who let me have one of the several winter jackets he carries with him just in case. He saved my life and as an added bonus, wearing his jacket gave me the courage to paint the scene below in oils:

Seneca Sparkle, 8x10" oil on panel

For my third painting I went to Roy's Marina with the intention to paint boats but the light on some boathouses caught my attention. I was allowed to use the restrooms at the marina so it was easy to decide to stay there.

At Roy's Marina, 12x9" pastel on board

Later that day  I went to a feed store just a few miles north from downtown Geneva. I wanted to paint a night scene and debated whether to paint it in oils or pastels. Because I couldn't find in my van the special light I had bought for this purpose I figured it would be easier to handle oils than pastels if I were to use a limited palette.  So that's what I did. I worked from 7-9 and could have stayed longer but I started feeling uncomfortable working all by myself in a neighborhood I did not know, all dark  with only a few stray cats and an occasional cyclist.  I finished it next day but worked from 5-7 instead and the chance to talk with the owner. Happily, it sold during the sale!

All Is Quiet, 16x12" oil on panel --SOLD

The second day wasn't as bright and I really had hard time finding an interesting location. I went back to the marina to add a few touches to the pastel of the day before and went scouting afterwards. In the afternoon I painted Cool Evening, the  scene on top of this post.


Saturday's Quick Draw:

The pumpkin, 12x9" Pastel on board

For the jurying and silent auction the participants were allowed to submit only two paintings, but next day we could bring whatever we had produced during the event. Here is my area minus the one that sold:

My thanks to the organizers and the people who volunteered to make this a wonderful event!

Garden by the Shed, 7x5" Sold

Garden by the Shed, pastel on board by Adriana Meiss

   This pastel was one of the four paintings sold at last weekend's Plowshares fair.  In fact, three of the paintings were bought by three different previous customers.  Still, doing the fair is a great opportunity for me to meet new people and to get them interested in classes and future workshops.
 
Last summer I lost a sale for not being able to accept credit card payments. This time around I was prepared for it and I'm glad I did!

Dried Sunflowers

Dried Sunflowers I, 6.5 x 6.5"

Dried Sunflowers II, 6.5 x 6.5"

  Well, I have been having so much fun rediscovering oils that I haven't had the time to finish the last pastel done en plein air. So this is what I consider a cheating post since these pastels were painted last year.

   I had bought the flowers with the intention of creating a large painting, but as often happens, other things got in the way. The poor things were languishing in the studio making me feel bad for having wasted money on them so, in the spur of the moment, they were painted one on top of the other, on  a leftover piece of Pastelmat mounted on foamcore.  I love the looseness in the second one and I wonder if that was the result of not taking too seriously what I was doing.

Sunset on Island 27, 10x8"

Sunset on Island 27, pastel on board by Adriana Meiss

This is what a painting I did while island-hopping during my trip to Saranac Lake looks like now.
The original (below) was painted in mid afternoon. Even after finishing, I knew it still needed work, but just before departing the island, the sun lit the tree from behind giving me the idea on how to finish it at home.  Big difference, no?

Original painting done en plein air.

 This coming week I'll be heading to Geneva to participate in the Seneca Lake Plein Air Painting Festival. I just hope to produce at least three good paintings. Wish me luck!

On Location at Saranac Lake

 I spent this past weekend in the Adirondacks with a group of painters from Syracuse. 

AuSable River-west branch, at Wilmington Flume Falls, 14x11" pastel on board 

Having registered for the upcoming Saranac Plein Air event in August, I was somewhat worried about going to paint at an area I did not know anything about, so I decided it was time to join Sharon B., from our local art store, who has been organizing this weekend trip in that area for several years now.

Friday morning we went to Wilmington Flume Falls, where I painted the above scene of the west branch of the Ausable River. I did a lot of walking before finding this shaded spot, at the bottom of a wide trail.  The splashing sounds of people jumping from the rocks and swimming tempted me to get into the water but I was there to paint!  My poor case on wheels took a beating on the way back as I took a different route closer to the canyon edge that was very steep, and to make things worse, I had to carry the painting in my hand because I had left the glassine paper in the car...  I think that rock in the foreground will either have to go or get darker.

Saturday was boat trip day and island hopping.  We rented a boat with an outboard motor at the Saranac Lake Marina and went exploring the lake, then went through a small lock to the Middle Saranac Lake where we saw marshy areas. On the way back we stopped on Island #27 and decided to paint there.

This first painting was a real challenge for me. I felt like giving up on it at some point but continued till the end. It was an exercise on what was important in the composition and of colors at that time of day (early afternoon). Half the trees were left out.

Island #27, first painting, 9x12" pastel on board

Having finished and seeing the others still painting, I tried a second one. This one needs more work. There were bright yellow reflections on the water that I was not able to represent.

Island #27-second painting, 10x8" pastel on board 

On Sunday, three of us were back at Wilmington Flume Falls. This time, I wanted to paint the ski trails of Whiteface Mountain. I knew I couldn't go back home without trying to paint this scene. I asked for permission to paint at the parking lot between the motel and the restaurant where if not the very best view, it was the safest.

At the parking lot of the Hungry Trout Restaurant

Ski Trails at Whiteface Mountain, 11x14" pastel on board

Two funny things happened while there, a woman asked me if I wouldn't mind letting her daughter take a picture of her pretending she was painting my pastel. Of course I did not mind at all especially after seeing a picture of this woman pretending to be carving a bear!  I bet they will have great stories to tell their friends.  Then, when I was packing to leave, a man who worked at the restaurant came to where I was with a small food container for me. It was a piece of berry pie! Both were sweet.

After farewells and directions for several other places to paint, we parted ways. Before my next stop, I saw places along the road that offered great views and parking areas, and stopped to take pics. At Two Monuments, my next destination, there is a section of the Ausable River that is all smooth and the afternoon light was perfect on the opposite side. Halfway into the painting it dawned on me that I must have been very tired when I just couldn't get to make the upper left side work, so I packed; at least I have enough info to finish it at home.

The Ausable at Two Monument, 12x9"pastel on board

I have to say that it was a worthwhile trip. It is always great to paint with people who seem committed to paint.  And seeing the Adirondack High Peaks was the tip of the cake!

On Location at Stone Quarry Hill Park

Pond at Midday, pastel on board by Adriana Meiss

  I went painting today at Stone Quarry Hill Art Park in Cazenovia. There are two ponds at the top of the hill that offer great views from most angles. This is the same pond of two post back but this time I was facing SW, and the weather was nice.

 After a short break to see the All Things Cazenovia exhibit at the gallery (my painting A Chance of Rain is in the show!), I found a shaded spot with a bench and decided to paint from there. I wanted to challenge myself by painting submerged vegetation in the pond but I chickened out and painted a shed instead. The strong contrast of the lit and shadowed areas in the shed versus the lack of contrast in the grasses and trees appealed to me.

Shed with Red Door, 8x10 pastel on board by Adriana Meiss

Maybe next time I'll paint the challenging scene first...

Below the Lower Falls, 19x27"

Below the Lower Falls, pastel on paper by Adriana Meiss

    This is one of two large paintings I finished last week. Both were based on several photos taken at Letchworth State Park, south of Rochester, NY. This place is where they do portaging. At the time of my visit there, I had the intention of painting on location but to get to this point I would have had to carry all my heavy equipment for more than a mile, so I had to content myself with taking photos. It was quiet and beautiful, and we all in the family still remember the tiny water snakes and frogs we saw near the shore.

   Here is a progression:
First Stage. I decided to to use a sheet of Colourfix paper in terracotta to complement the greens. I started by blocking in the main masses-- I like to start with the sky because it helps to set the mood/temperature of the painting. Strokes are applied in different directions just to fill in the spaces.

Second Stage.  I began to define the masses. It's a good stage to look for areas that need corrections. This painting is all about the water, so I had to carefully determine what colors I was going to use in the different areas, and in what order so that I wouldn't end up with muddy water.

 Third Stage. At this point most of the pastel application has been done with the side stick.

Fourth Stage.I did a lot of blending, first with packing peanuts, then with my fingers. I loved working on that transition in the reflected sky, from cerulean to blue-violet, then to sienna. I had to wash my hands very often to prevent dirtying this area.

Fifth Stage. Rocks aren't a favorite subject to paint, so I took my time experimenting. I used color pencils and Nupastels for the submerged rocks. Almost done...

Final Stage (this is the same photo as at the beginning of the post). While I liked the color intensity in the stage above, it did not reflect the humidity of midday, so I grayed/dulled some areas. This was followed by more reflections on the water, some ripples and softening of  edges.

Rainy Day. 9x12

Rainy Day, pastel on paper by Adriana Meiss

   This pastel was started a long while ago, then became part of my pile of unfinished work. A few days ago, wanting to participate in a juried show, I thought that perhaps I could finish something instead of starting something  new. This spring scene from the Adirondacks, spoke to me; perhaps that was because I'm so eager to see bright spring green on grass and branches! The good thing is that this time around I deviated a lot from the photograph. Trees were removed, others created, and the white blooming tree that was in the foreground half hidden by the conifers, found a better place in the distance along with a new companion, becoming a point of interest.

   My new goal for studio paintings is to study at least two possibilities a scene has to offer before jumping to paint it.

Winter Sunset, 9x12, Sold

Winter Sunset, pastel on board by Adriana Meiss

  It seems that I begin to warm to winter's charm only when the season reaches its mid point. And then, I get the need to hurry and paint winter scenes before the snow and cold are gone.

  This scene is from a reference photo taken years ago on Rt 370. I did a drawing in graphite that came out nice so I decided to do it in oils, for the class I'm taking. Given that pastels are great and faster for experimenting, I did this version at home, but with less detail in the middle ground.  Now I'm trying to reproduce these same colors in  my oil painting.

 The feeling of hurry continues to creep up on me just thinking of the many early deadlines for competitions I would like to submit to, and the many half-finished paintings in the studio... Four of them show promise though so at this point it's just a matter of overcoming the fear of ruining a painting.

Under a Cloudy Sky, 12x9"

Under a Cloudy Sky, pastel on board by Adriana Meiss

The Rose Garden at Thornden Park is one of Syracuse' summer jewels. One of my plein air buddies and I decided that even under clouds the place was great to paint. Selecting what to paint was tough though, as everywhere I looked offered painting possibilities. After spending almost an hour deciding what scene to paint I settled for this one.  This happened over a month ago. The painting has been on the shelf ever since, and I now I'm wondering if perhaps the hint of a person or a couple walking in the background could be a good idea... or perhaps that would better be left for a studio painting...