Showing posts with label Central New York artist. Show all posts
Showing posts with label Central New York artist. Show all posts

Tuesday, August 5, 2014

In Hiding, 18x24"


In Hiding, pastel on board by Adriana Meiss
This is a studio painting done a few months ago for the Onondaga Art Guild Show. It's from one of my favorite places in the area, Meadowbrook Pond. Who's hiding?

Changing the subject, it's official now, I'll be showing at Baltimore Woods Nature Center this fall with my friend Maureen Barcza (oils). The title of the exhibit is A Dialogue with Nature. I gradually learned to converse with nature when I started painting outdoors. These conversations continue in the studio until the painting is finished. The funny thing is that now, even when painting from a reference photo, it is normal for me to engage in a conversation with the photo and my memories of the place.

Monday, July 21, 2014

On Location at Saranac Lake

 I spent this past weekend in the Adirondacks with a group of painters from Syracuse. 
AuSable River-west branch, at Wilmington Flume Falls, 14x11" pastel on board 
Having registered for the upcoming Saranac Plein Air event in August, I was somewhat worried about going to paint at an area I did not know anything about, so I decided it was time to join Sharon B., from our local art store, who has been organizing this weekend trip in that area for several years now.

Friday morning we went to Wilmington Flume Falls, where I painted the above scene of the west branch of the Ausable River. I did a lot of walking before finding this shaded spot, at the bottom of a wide trail.  The splashing sounds of people jumping from the rocks and swimming tempted me to get into the water but I was there to paint!  My poor case on wheels took a beating on the way back as I took a different route closer to the canyon edge that was very steep, and to make things worse, I had to carry the painting in my hand because I had left the glassine paper in the car...  I think that rock in the foreground will either have to go or get darker.

Saturday was boat trip day and island hopping.  We rented a boat with an outboard motor at the Saranac Lake Marina and went exploring the lake, then went through a small lock to the Middle Saranac Lake where we saw marshy areas. On the way back we stopped on Island #27 and decided to paint there.

This first painting was a real challenge for me. I felt like giving up on it at some point but continued till the end. It was an exercise on what was important in the composition and of colors at that time of day (early afternoon). Half the trees were left out.
Island #27, first painting, 9x12" pastel on board
Having finished and seeing the others still painting, I tried a second one. This one needs more work. There were bright yellow reflections on the water that I was not able to represent.
Island #27-second painting, 10x8" pastel on board 
On Sunday, three of us were back at Wilmington Flume Falls. This time, I wanted to paint the ski trails of Whiteface Mountain. I knew I couldn't go back home without trying to paint this scene. I asked for permission to paint at the parking lot between the motel and the restaurant where if not the very best view, it was the safest.

At the parking lot of the Hungry Trout Restaurant

Ski Trails at Whiteface Mountain, 11x14" pastel on board
Two funny things happened while there, a woman asked me if I wouldn't mind letting her daughter take a picture of her pretending she was painting my pastel. Of course I did not mind at all especially after seeing a picture of this woman pretending to be carving a bear!  I bet they will have great stories to tell their friends.  Then, when I was packing to leave, a man who worked at the restaurant came to where I was with a small food container for me. It was a piece of berry pie! Both were sweet.

After farewells and directions for several other places to paint, we parted ways. Before my next stop, I saw places along the road that offered great views and parking areas, and stopped to take pics. At Two Monuments, my next destination, there is a section of the Ausable River that is all smooth and the afternoon light was perfect on the opposite side. Halfway into the painting it dawned on me that I must have been very tired when I just couldn't get to make the upper left side work, so I packed; at least I have enough info to finish it at home.

The Ausable at Two Monument, 12x9"pastel on board
I have to say that it was a worthwhile trip. It is always great to paint with people who seem committed to paint.  And seeing the Adirondack High Peaks was the tip of the cake!

Sunday, March 23, 2014

Marina at Raquette Lake, 12x12

Marina at Raquette Lake, pastel by Adriana Meiss

   This piece was started several years ago, inspired on a camping trip near Raquette Lake. The intended format was vertical. At some point I started having trouble with the evergreen branches closer to the top. and after removing and adding pastel several times, I finally gave up on it.

   Recently, thinking about what to submit to the Adirondack Pastel Society show, this piece came to mind, and remembering also that I had some gold frames in a square format, I just put one in front of the painting and, voila! With the square format the area that was overworked could be removed without detracting from the focal area!  There was some more work done, mainly on the trees, but I was happy to finally say that the painting was finished.