Garden by the Shed, 7x5" Sold

Garden by the Shed, pastel on board by Adriana Meiss

   This pastel was one of the four paintings sold at last weekend's Plowshares fair.  In fact, three of the paintings were bought by three different previous customers.  Still, doing the fair is a great opportunity for me to meet new people and to get them interested in classes and future workshops.
 
Last summer I lost a sale for not being able to accept credit card payments. This time around I was prepared for it and I'm glad I did!

Fall Crabapple, 7x5"

Fall Crabapple, 7x5" pastel on board by Adriana Meiss

   A few weeks ago a friend called and asked me if I was free to go with her to a nice place to collect nice dry flowers. She wouldn't tell where, but told me to bring my camera. It turned out the place was nearby: an abandoned golf course that I didn't even know existed. I came back home with lots of reference material to keep me busy in the winter months, but I had to paint this little crabapple tree right away, as I was afraid of forgetting how it looked in late afternoon light.

  For those of you in CNY, Plowshares Craftsfair and Peace Festival is this coming weekend at Nottingham HS. If I'm not mistaken, this will be my sixth year there! Stop by and chat with me!

Sunset on Island 27, 10x8"

Sunset on Island 27, pastel on board by Adriana Meiss

This is what a painting I did while island-hopping during my trip to Saranac Lake looks like now.
The original (below) was painted in mid afternoon. Even after finishing, I knew it still needed work, but just before departing the island, the sun lit the tree from behind giving me the idea on how to finish it at home.  Big difference, no?

Original painting done en plein air.

 This coming week I'll be heading to Geneva to participate in the Seneca Lake Plein Air Painting Festival. I just hope to produce at least three good paintings. Wish me luck!

On Location at Saranac Lake

 I spent this past weekend in the Adirondacks with a group of painters from Syracuse. 

AuSable River-west branch, at Wilmington Flume Falls, 14x11" pastel on board 

Having registered for the upcoming Saranac Plein Air event in August, I was somewhat worried about going to paint at an area I did not know anything about, so I decided it was time to join Sharon B., from our local art store, who has been organizing this weekend trip in that area for several years now.

Friday morning we went to Wilmington Flume Falls, where I painted the above scene of the west branch of the Ausable River. I did a lot of walking before finding this shaded spot, at the bottom of a wide trail.  The splashing sounds of people jumping from the rocks and swimming tempted me to get into the water but I was there to paint!  My poor case on wheels took a beating on the way back as I took a different route closer to the canyon edge that was very steep, and to make things worse, I had to carry the painting in my hand because I had left the glassine paper in the car...  I think that rock in the foreground will either have to go or get darker.

Saturday was boat trip day and island hopping.  We rented a boat with an outboard motor at the Saranac Lake Marina and went exploring the lake, then went through a small lock to the Middle Saranac Lake where we saw marshy areas. On the way back we stopped on Island #27 and decided to paint there.

This first painting was a real challenge for me. I felt like giving up on it at some point but continued till the end. It was an exercise on what was important in the composition and of colors at that time of day (early afternoon). Half the trees were left out.

Island #27, first painting, 9x12" pastel on board

Having finished and seeing the others still painting, I tried a second one. This one needs more work. There were bright yellow reflections on the water that I was not able to represent.

Island #27-second painting, 10x8" pastel on board 

On Sunday, three of us were back at Wilmington Flume Falls. This time, I wanted to paint the ski trails of Whiteface Mountain. I knew I couldn't go back home without trying to paint this scene. I asked for permission to paint at the parking lot between the motel and the restaurant where if not the very best view, it was the safest.

At the parking lot of the Hungry Trout Restaurant

Ski Trails at Whiteface Mountain, 11x14" pastel on board

Two funny things happened while there, a woman asked me if I wouldn't mind letting her daughter take a picture of her pretending she was painting my pastel. Of course I did not mind at all especially after seeing a picture of this woman pretending to be carving a bear!  I bet they will have great stories to tell their friends.  Then, when I was packing to leave, a man who worked at the restaurant came to where I was with a small food container for me. It was a piece of berry pie! Both were sweet.

After farewells and directions for several other places to paint, we parted ways. Before my next stop, I saw places along the road that offered great views and parking areas, and stopped to take pics. At Two Monuments, my next destination, there is a section of the Ausable River that is all smooth and the afternoon light was perfect on the opposite side. Halfway into the painting it dawned on me that I must have been very tired when I just couldn't get to make the upper left side work, so I packed; at least I have enough info to finish it at home.

The Ausable at Two Monument, 12x9"pastel on board

I have to say that it was a worthwhile trip. It is always great to paint with people who seem committed to paint.  And seeing the Adirondack High Peaks was the tip of the cake!

Winter Sunset, 9x12, Sold

Winter Sunset, pastel on board by Adriana Meiss

  It seems that I begin to warm to winter's charm only when the season reaches its mid point. And then, I get the need to hurry and paint winter scenes before the snow and cold are gone.

  This scene is from a reference photo taken years ago on Rt 370. I did a drawing in graphite that came out nice so I decided to do it in oils, for the class I'm taking. Given that pastels are great and faster for experimenting, I did this version at home, but with less detail in the middle ground.  Now I'm trying to reproduce these same colors in  my oil painting.

 The feeling of hurry continues to creep up on me just thinking of the many early deadlines for competitions I would like to submit to, and the many half-finished paintings in the studio... Four of them show promise though so at this point it's just a matter of overcoming the fear of ruining a painting.

Under a Cloudy Sky, 12x9"

Under a Cloudy Sky, pastel on board by Adriana Meiss

The Rose Garden at Thornden Park is one of Syracuse' summer jewels. One of my plein air buddies and I decided that even under clouds the place was great to paint. Selecting what to paint was tough though, as everywhere I looked offered painting possibilities. After spending almost an hour deciding what scene to paint I settled for this one.  This happened over a month ago. The painting has been on the shelf ever since, and I now I'm wondering if perhaps the hint of a person or a couple walking in the background could be a good idea... or perhaps that would better be left for a studio painting...