Dusk Reflections, 12x12

Dusk Reflections, pastel on board by Adriana Meiss

    I learned today that this painting and a larger one were accepted in the Northeast National Pastel Exhibit at Old Forge!  It was just the kind of good news I needed, after two disappointing rejections, one from another show and one from a plein air event. 

   

 My work has been rejected many, many times, and even though I try to take things in stride, somehow when rejections come one after another they amount to a big blow and I usually begin to question my art, at least for a little while. This time I did not have time for that. I've been busy working on two large paintings and can only think ahead, to when they are finally finished. It's something to keep in mind next time I submit work to a competition.

Reworking: The Moose River in Winter, 5x7-Sold

The Moose River in Winter, pastel on board by Adriana Meiss

   In this post I'm sharing something I have learned from other artists: if you have work you believe it's good but has not sold in a while, you should look at it again and figure out what it needs.

    The original below, which I had posted before, was painted two years ago. I loved the painting and I thought it was going to sell, but it came back home show after show.

Before

   It was time to analyze what it needed. The composition was fine, the palette was appropriate; how could I improve it?  I thought or the WOW factor I have read in art magazines and while I don't agree every painting should have it, I thought that something to call attention was needed on this piece. Adding brighter colors to the distant trees to give the impression of glaring sunshine did the trick. I added yellow highlights to the focal area trees and to their reflections in the water, and with very little a cold winter scene became more appealing.

Evenfall, 5x7"

Evenfall, pastel on board by Adriana Meiss

   A new year, a new easel to replace the one I got years ago from the curb, and lots of new ideas I'm eager to put into paper or board!

   There was so much frenzy during the whole month of Dec, that I felt I needed a long period of rest. My first pastel of the year was started just 3 days ago and although is coming along very well, it is not ready yet, so I'm posting a small painting done last year for Plowshares. It's based on a photo from Alverna Heights, near Green Lakes State Park.  The body of water in the middle ground doesn't exist but I thought it added interest to the scene.

Some of my plans for this year include painting in oils and selling small paintings from this blog ( yeah, I know I have said this before but this time I've already taken the first steps).  I wish you perseverance to succeed with yours!

Evenglow, 8x10-Sold

Evenglow, pastel on board by Adriana Meiss

The Plowshares Festival  of a week ago went very well. Six painting have new homes, including an older piece that I decided to bring with me at the last minute.  I'm happy to say that there were five returned customers, so to those of you reading this, keep your mailing list up to date and never forget to let your customers know of events you are participating in. Most important, when sending a mass email invitation, protect and reassure your customers by putting their email address in the Bcc box .

As it often happens to me, I left framing for the last minute, and this time I found scratches on the glass in many of the small ready-made frames I had purchased. Fortunately I had other pieces to replace them with, but now I'm left with glass that will probably have to be recycled if I'm not able to cut smaller pieces from it...

Stillness Before Dusk, 20 x16 -sold

Stillness Before Dusk, 20x16" Pastel on board by Adriana Meiss

   This scene is one I have painted before (Mud Creek) and will probably paint again as it has many interesting features that can be varied to create different moods.

   I learned many things in the process. After I thought it was done, I let it sit for a while on a shelf.  Although I was happy with my original sketch, some things did not seem right.  There was too much pink  and too much open water that was competing in color with the sky.  Some elements other than just color were needed in order to guide the eye to the focal area and to offer resting spots before getting  there. Perhaps some lily pads or grasses? Back to sketching  and problem solving.  Thus, the clump of dark grasses in the foreground. Darkening the foreground water on the right also helped to create the feeling of more depth.

   Lessons learned : 1. Be receptive to listen to what the work is telling you. My sister-in-law just gave me a great idea: talk to your work as if it were a living thing. You are likely to hear what your brain is telling you. 2.  Allow yourself time to let the painting rest so you can correct any problems. The goal is to be really happy with  the results.

   I entered this painting in the Bold Brush competition for Dec. If you like it vote for it here.

Adirondack Stream, 7x5--sold

Adirondack Stream, pastel on Ampersand Pastelboard by Adriana Meiss

I survived the weekend!  On Sat. I went to bed in the early hours of the morning, framing the painting above, that I had included in promoting the festival to everyone on my mailing list.  Why was it then the last one left to be framed?  I cannot answer that myself. Too many things were going on and it's obvious that I was not thinking clearly...

That same morning, on my way to the fest I had the feeling that it was going to be one of the worst events simply because I had not heard it advertised on the radio station of the previous year--instead, another similar event was being advertised for the same day.  Well, it turned out to be one of the best! I'm happy so say that nine paintings were sold, among them one that I had shown many times before at other events, and I still had faith in finding a home for.  I saw old friends, met new people, and got the chance to talk to some about the wonderful pastel medium.

Spring in the Adirondacks, 7x5

Spring in the Adirondacks, pastel on board by Adriana Meiss

     This little pastel basically painted itself after a short break from the dust.  Paintings that "happen" this way always have a special spot in my heart. I get back to my pastels expecting a struggle and instead everything is smooth sailing.   The reference photo was from three years ago and it's been on top of my studio table, moving from one spot to another. Finally it was time to paint it. 

But was it really how it happened?  I've been reading Incognito a book about how the brain works by David Eagleman, and basically he says that most of our actions are processed in the brain way before we put them into action.  Is looking at a photograph for quite some time --for  weeks or months, a good way to start a painting?  Has my brain been painting this scene without my being aware of it?  Eagleman's book seems to infer that.  Maybe that's why most of the paintings in the "bad pile" are those started on impulse...  I hope this is food for thought, in the meantime, I'm going to tape some reference photos on the studio walls so that my brain can start the process...

Madison Windmills, 8x10"-Sold

My plan was to start another painting based on the previous one, but this photo from the same area begged me to paint it first.

For several years I had seen the windmills in the distance and was very curious as to what they looked like up close, so last year my daughter and I went to Madison county in search of them. Not only did we take lots of pictures but also fell in love with the countryside.

As a believer in renewable energy, I plan to include windmills in some future paintings. The ones here are barely visible on the left.